I saw him in the pouring rain for the first time. He was sitting under
one of the giant umbrellas at Daley Plaza in Chicago. With a hooded sweatshirt, he could easily be taken as an American
teenager. I had no idea how he managed
to light his cigarette but it was giving him airs for sure. I now know that we
both eyed each other briefly and thought: "Can he/she be Turk?" However, that
day, none of us said a word.
Next day, it cleared up. Bright blue sky of the early September was so
befitting for the annual Turkish Festival. Since I was volunteering as a
translator, I thought I could at least choose in which festival tent to work. I
volunteered to help with the sales and the Q & A between the curious and
the handcrafts instructor who came from Mardin.
She was weaving a rug/kilim on site and this always guaranteed
admiration and curiosity among the festival visitors. I was happily refreshing memories
of my several trips to Mardin and Midyat in 2000 while selling handcrafted
products of ÇATOM women. Each item had a number and the name of its creator. Due
to the limited number of the volunteers, I thought I’d miss almost all the
performances including sema ceremony of whirling dervishes, concerts by Erkan
Oğur and Ismail Hakkı
DemircioÄŸlu. I did not care much about the fashion shows or the folk dances.
Then I saw him again. This time, he was bolder,
just came in the tent and began to chat with me. He was staying at the same hotel
with the handcrafts instructor so making small talk was easy. Our affinity grew
stronger once I passed his test on Konya after being exposed to his detailed
questions about his city of origin. As a high school teenager, he was acting "cool" by constantly switching between the personas of a joker and a rebel
while hiding the broken pieces in his soul rather clumsily. "I am a whirling
dervish" he announced. "Didn’t you see me performing yesterday?" I replied: "No, I did not. I saw you yesterday under that umbrella across and never took you
as a semazen. Not even now, not in
these clothes." He laughed: "I look like
an American, don’t I? But tell me honestly". It was hard indeed with his
sneakers, sleeveless black t-shirt, jeans, and a baseball hat. "You look like a
rapper if anything," I told him as honestly as he wanted. I got a bit upset
when I saw the pleasure in his eyes after my reply. "I am the youngest whirling dervish, nobody
ever progressed as fast as I did." I remember secretly thinking, one of the key
foundation stones of Rumi philosophy, modesty, hasn't settled in strongly yet in his
personality. He was preparing for the university entry
examination. He was supposed to be in school right now but due to the festival,
he was granted special permission. Next day, he switched from siz to sen (the formal you to the informal you in Turkish) and spent most
of his time in our tent when he wasn’t performing on stage. He was a character for sure, a unique young
man.
The third was the final day of the festival,
September 5th. "Please come and see me today, find another translator for God's
sake" he said. I promised and he left to change. It was midday, clear blue sky
again. Before their performance, a middle-aged fake blond belly dancer in her
bright red costume showed up! Each time a belly dancer comes on stage, people
had to choose a face or an attitude for themselves. Some make a serious face, some uncomfortable,
some suddenly become aware of her or his own body, which remained forgotten in
the midst of business meetings and other appointments. Some put on a happy
face, smile and stare with admiration or "tolerance". Some keep switching from
one face to another and hope that nobody is watching them. Daley Plaza in Chicago
is a business center and people are having their lunch break. They are trying
to choose between döner and lahmacun while watching the Turkish
belly dancer and whirling dervishes who perform right after one another. In the
meantime, I am chatting with a beautiful Lebanese woman who just told me that
she fled for her life in July, came here to her relatives’ house in Chicago and
the rugs she saw in our tent reminded her of the rugs in her abandoned house. I
am lost for words. While thinking of the Israeli attacks, one corner of my
brain is also asking the question: "Isn't there another way to market my
country other than this weird combo of the belly dancing, whirling dervishes
and döner?"
And there he is! His black cloak opens up like a butterfly and the cameras around immediately went into to full functioning! His young face with Caucasian features attracted foreign tourists and Americans alike. They must have found his commitment to Sufism at such an early age very meaningful and moving. Nobody saw his face behind the stage while staring at the belly dancer’s body. His smoking and other "bad" habits. They saw what they wanted to see and they saw him only on the stage: he is whirling, eyes closed, head tilted on one side, his tenure (white gown), flying around. As if he is not the one attending high school in Konya, listening to popular songs like his peers, trying to experience everything which are forbidden or disapproved by his parents, falling in love with girls in his neighbourhood, faltering, floundering in this early stage of adulthood. His story was hidden in his eyes, which were closed and shadowed by the tall brown sikke throughout the whole ceremony. It served as his shield not so unlike the baseball hat or the hood with which he replaced while not performing. He kept reminding me of Holden Caulfield.
And there he is! His black cloak opens up like a butterfly and the cameras around immediately went into to full functioning! His young face with Caucasian features attracted foreign tourists and Americans alike. They must have found his commitment to Sufism at such an early age very meaningful and moving. Nobody saw his face behind the stage while staring at the belly dancer’s body. His smoking and other "bad" habits. They saw what they wanted to see and they saw him only on the stage: he is whirling, eyes closed, head tilted on one side, his tenure (white gown), flying around. As if he is not the one attending high school in Konya, listening to popular songs like his peers, trying to experience everything which are forbidden or disapproved by his parents, falling in love with girls in his neighbourhood, faltering, floundering in this early stage of adulthood. His story was hidden in his eyes, which were closed and shadowed by the tall brown sikke throughout the whole ceremony. It served as his shield not so unlike the baseball hat or the hood with which he replaced while not performing. He kept reminding me of Holden Caulfield.
Now he was calling me "Özlem Abla" (used for elder
sisters) in our last day together, sharing some details from his brief life.
When someone walks in, he stops chatting. He knew perfectly well that I wasn’t
going to judge or blame him for what he has done or said. He also felt the
still-alive confused teenager in me.
There was a time when he spent days on the streets, hanging out with "really bad guys", making his mother truly upset. I asked him what "really bad
guys" meant, which he replied mysteriously: "I'd better not tell." His father
thought Sufi circles might do him some good so he steered his son’s energies to Sufism, and
thanks to becoming a Semazen, he got
used to the lights on stage and traveled abroad. On his way back to Konya from
his journeys, his friends began respecting him.
He kept bringing Turkish coffee
in paper cups and MaraÅŸ ice-cream in crispy cones. How can I forget his
checking the time in between his stories and questions, and telling me: "Let me
whirl a bit and come back, reserve my seat Özlem Abla, will you?" Sweet of him
to call me abla but he actually acted
like a real abi (elder brother) as
well. A guy who claimed to be an artist and talked to me non-stop in gibberish found
himself kicked out by my dear Semazen. Plus, all his chiding (bordering
yelling) was done in Turkish which cracked me quite a bit. The guy immediately
disappeared, I could tell he was scared of my otherwise peaceful Semazen disguised
in his jeans and baseball hat. Several hours after we said goodbye, he occupied
my mind, I told Scott that I wish we took him around, chatted more outside of
the festival zone. I wish I heard more of him. I still do.
It
was only two days later
that he was back to me in an email attachment sent through Bogazici University
alumni of Chicago. There were two pictures of him published in the local
newspapers. The alumni forum alone was already full of jokes and somewhat
derogatory comments on the images. The title of the email was "extreme
makeover". Did the youngest Semazen really deserve all these remarks? I did not
think so. "Look at yourself in the mirror!" one part of me screamed at the
commentators. Don't we all have our extreme makeovers (at work, home,
parties, shower, bed-time)? I hoped that he never saw these comments, it was
unlikely but one never knows. I was in a good mood. I imagined him having
another smoke, shrugging his shoulders "let them talk, say whatever, I don't
give a damn." He was leaning on one of the walls of the school building, his
friends around him, listening eagerly to his stories beginning with "when I was
in Chicago…".
October, 2006
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